Art and Aesthetics Essay - 773 Words - StudyMode.

Critical Essays Oscar Wilde's Aesthetics The philosophical foundations of Aestheticism were formulated in the eighteenth century by Immanuel Kant, who spoke for the autonomy of art. Art was to exist for its own sake, for its own essence or beauty.

Aesthetics is the branch of philosophy that is concerned with the nature of beauty and taste. What constitutes beauty has been a much-debated topic in Western art. In Grecian times, the philosopher Aristotle thought beauty was about function and proportion, while in the early 1700s, the Earl of Shaftesbury argued that goodness and beauty are.

Aesthetics can be seen as comprising two, overlapping, areas of enquiry: philosophical questions about aesthetic notions such as beauty and about the status of aesthetic judgments, on the one hand, and on the other, philosophical questions concerning art.

David Hume’s views on aesthetic theory and the philosophy of art are to be found in his work on moral theory and in several essays. Although there is a tendency to emphasize the two essays devoted to art, “Of the Standard of Taste” and “Of Tragedy,” his views on art and aesthetic judgment are intimately connected to his moral philosophy and theories of human thought and emotion.

Poets often have responded vitally to the art of their time, and ever since Susan Stewart began writing about art in the early 1980s, her work has resonated with practicing artists, curators, art historians, and art critics. Rooted in a broad and learned range of references, Stewart’s fresh and independent essays bridge the fields of literature, aesthetics, and contemporary art.Gathering.

Wittgenstein’s Aesthetics First published Fri Jan 26, 2007; substantive revision Wed Jul 30, 2014 Given the extreme importance that Wittgenstein attached to the aesthetic dimension of life, it is in one sense surprising that he wrote so little on the subject.

Synopsis This work bring together essays on the philosophy of art in which a philosophical theory of aesthetic judgement is tested and developed through its application to particular examples. Each essay approaches form its own field of study, what Roger Scruton argues to be the central.

This course aims to provide students with an introduction to aesthetics and the philosophy of art. The first part of the course focuses on some of the major texts in the history of the philosophy of art in the western tradition (e.g., Plato's Republic, Aristotle’s Poetics, Hume’s Of the Standard.

This course surveys a number of different theories of Islamic art that have been propounded in twentieth- and twenty-first-century studies of Islamic art and, especially, architecture, with particular attention paid to theories relating to objecthood and the role of the viewing subject; and it investigates what might be meant by the term, Islamic aesthetics.

Included: art essay content. Preview text: The argument that aesthetic is a western concept is based on the separation between European and non-European culture. In other words, this category is set to tell the differences from western art and primitive. It underlies the assumption that weste.

Aesthetics - Aesthetics - The work of art: As the above discussion illustrates, it is impossible to advance far into the theory of aesthetic experience without encountering the specific problems posed by the experience of art. Whether or not we think of art as the central or defining example of the aesthetic object, there is no doubt that it provides the most distinctive illustration both of.

This collection of essays on anthropological approaches to art and aesthetics is the first in its field to be published for some time. In recent years a number of new galleries of non-Western art have been opened, many exhibitions of non-Western art held, and new courses in the anthropology of art established.